By Jessa Dillow Crisp - In 2015 at the Colorado State Capitol, I publicly shared my story of surviving sex trafficking. I wanted to educate others about the realities of this nefarious crime and longed for my pain to give hope to another individual. In the weeks following, I had no idea that media outlets from around the world would seize my story and seek me out for intimate details of the traumas I endured.

After vulnerably sharing elements of my painful history, I noticed that journalists misrepresented my experiences—making my story their story for sensationalized shock value. Details of my story were changed, and liberties were taken, such as some outlets lifting my personal pictures and videos from the web and using them without consent. These experiences took me by surprise; I thought that if someone was not a trafficker or buyer, they would protect me. But in fact, one of the hardest things I have had to deal with since my escape and in my recovery process is working through feelings of being re-exploited by media. At times, I felt like my own being did not belong to me, but rather to the number of views that my story brought without my permission.

Through my experience with media outlets and journalists, I have come to realize that the desire for exclusive content can lead individuals to promote a culture of sensationalism. In this process, many well-intentioned journalists are doing things that are inhumane—creating and sustaining a culture where it has become okay to exploit the exploited. Where the amazing feat of trauma endured is not enough for the story, rather acceptable curiosity is taken over by a desire to know how many hours someone was raped, or asking the number of men who have used their body for sexual fantasies. Where an interviewee’s boundaries are considered obstacles that need to be overcome, rather than healthy indicators of the difficult healing journey that has taken place.

This voyeurism and quest for details are not the only ways that media sensationalize sex trafficking. Another way is through the use of pictures that highlight the sadistic pain of victims and images that misrepresent the phenomenon of trafficking. Some examples include: a begrimed girl whose hands are tied up and mouth is gagged, barcodes stamped across one’s forehead, or hands erotically bound in ropes or chains—most of these are stock photos, widely available and free of charge.

These sensationalized pictures are counterproductive to creating change surrounding human trafficking. Instead, they are another way to perpetuate the problem. Using these kinds of pictures and sensationalizing stories can create more harm than good for audiences. If concerned citizens are seeing human trafficking only through the lens of the media where trauma is glorified or misrepresented through inaccurate reporting, sensationalized captions, and pictures that do not accurately depict the crime, then victims caught in trafficking will struggle to relate to the coverage and may not reach out for help. In addition, community members will not be able to recognize trafficking when it takes place within their neighborhood.

Since a person is not the sum of their trauma, media should use pictures that accurately portray the story they are sharing, including the person’s current pursuits and future dreams. Some alternative illustrations they could use would include a person smiling, a person engaging in a hobby, and the artwork/photography survivors have created. Additional suggestions for media can be found on my Tips for Using Images When Reporting on Human Trafficking.

Despite the negative experiences I have had with some reporters, I have also had some incredibly healing experiences with a few journalists. Through this, I believe that journalism is needed to create an accurate awareness surrounding human trafficking and give hope to individuals who have experienced this crime. In this place, I hope journalists will seriously consider their responsibility to the individuals whose stories are being recreated for their article. By forgoing sensationalism and respecting survivor sources and the stories they share, journalists educate their community of followers and ultimately empower victims to not only tell their narratives, but also move into a place of thriving.

By Minh Dang - In the midst of one of Southern California’s worst storms in over a decade, the United States Advisory Council on Human Trafficking (“the Council”) met for a strategic planning retreat. I had convinced other members of the Council and the State Department to come to California in February, since most of our meetings were scheduled in Washington, D.C.

Although California failed to extend a warm welcome for our first session, I felt immense gratitude for this group of people and for the existence of the Council. Council members are innovative, thoughtful, committed, and willing to bring their whole selves to the table. Members hail from a diversity of nationalities, citizenship status, gender identity and geographic locations. Like any other group of people, our perspectives on specific issues don’t always align. However, what is similar among all of us and is salient throughout our work is our shared and deep commitment to using our experiences and expertise to prevent the suffering of others.

By Barbara Barnett - For journalists telling the stories of individuals trafficked into forced prostitution, one of the challenges is crafting a narrative that accurately characterizes the physical danger and emotional abuse victims experience. These narrative choices can affect the ways that audiences think about the crime of trafficking and its victims.

One story-telling technique is the use of first-person narratives, which allows trafficked individuals to describe their circumstances, from their perspectives, in their own words – an important consideration when writing about a crime that denies its victims the ability to speak or act in their own interests.

For journalists telling the stories of individuals trafficked into forced prostitution, one of the challenges is crafting a narrative that accurately characterizes the physical danger and emotional abuse victims experience. These narrative choices can affect the ways that audiences think about the crime of trafficking and its victims.

By Noy Thrupkaew - The story wasn’t new, according to Associated Press international enterprise editor Mary Rajkumar. Forced labor and human trafficking in the Southeast Asian seafood industry was an open secret throughout the region. So why should the AP assign four reporters to more than a year’s worth of work on the story?
“‘What’s new’ is a critical question to ask,” Rajkumar told journalists at this year’s Investigative Reporters and Editors conference in New Orleans. “But another critical question is, ‘If it isn’t new, then why isn’t anything being done about it?’”

By Chanda Marlowe - Visitors to Backpage.com can look for jobs and shop for appliances, but as of January 9 they can’t shop for sex. The classified ad website closed its adult ads section in the United States, citing government pressure. Clicking on links to body rubs, escorts and strippers takes the user to a screen that reads, “The government has unconstitutionally censored this content.”

For their part, law enforcement officials, including the National Association of Attorneys General, had long accused Backpage of providing an outlet for sex trafficking of minors. And it has been the target of multiple lawsuits.

In one case, a federal appeals court ruled on March 14, 2016 that three teenagers who were trafficked for sex through classified advertisements on Backpage.com could not sue the website—despite the fact the judge said the ads “evoke outrage.”